I’ve been glued to Four Tet’s lovely new album There Is Love In You for the past couple weeks (“Love Cry”, wow) and I chatted with Kieran Hebden for New York Magazine’s Vulture blog.

Many rock bands have moved toward incorporating electronic sounds over the past decade or so. Do you think that has left listeners more open to your music?
Yeah, definitely. When I started out ten years ago, people thought about electronic music and they instantly thought about quite extreme ends of it. Synthesizers and drum machines, lots of digital processing. Nowadays, everything is mixed together a lot more, and people don’t even know what they’re listening to.
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I just interviewed Brann Dailor, drummer for Atlanta metal quartet Mastodon, for New York Magazine’s pop culture blog.

Why all the thematic complexity?
It allows us to go to a bunch of different places artistically; there’s just more to experience. Putting out a record without any of that stuff would be short-sighted, like you didn’t put everything you had into it. With each album you get to try it again and get it more cohesive and more thought-out and more psychedelic.
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