As the head of Playing For Change, Mark Johnson travels the world with a small crew, a high-end mobile recording rig, and video cameras, to capture buskers and other undiscovered musicians — perhaps a drummer deep in the Congo, a guitarist on a New Orleans street corner, or a choir in South America. But this isn’t just an anthropological expedition — after a little coaching, johnson has them all play the same song, along with the same metronome and/or backing track, stacking overdubs to create a “virtual collaboration” between musicians who otherwise would likely have never met. The resulting videos and albums have turned his project into a viral sensation. The humanitarian spirit of peace and unity at the root of all this makes the goals lofty and the logistics difficult; yet, somehow, Johnson cuts no corners, even in the wildest destinations.
Vijith Assar: One could argue that fidelity is not the point of a project like this.
Mark Johnson: With a lot of music documentaries, whenever you would hear street musicians it was always some camera mic picking them up. I always felt like they never got a fair shake. We realized if we brought good microphones, used different windscreens, a nice clock, good mic pres, and recorded it at a higher quality, we could give these things a chance to actually be represented properly to an audience. So, that’s why we wanted to bring the studio to the street.