Tag: Blip Festival

See you there, Mayor Bloomberg

Wednesday, May 23rd, 2012

It’s time once again for the Blip Festival, about which I have written far too many times already, so this year I took a step back and used it as a way to more generally discuss the ongoing conversion of music into a heavily technical endeavor.

When his predecessor first took office, even basic familiarity with a Web browser was considered the exclusive domain of geeks, but Mayor Bloomberg kicked off his 2012 with a tweet resolving to learn programming. Facebook built an empire from thumbs-up clicks, as evidenced by last week’s IPO. The march toward the future might be relentless and inescapable, but sometimes it’s still easy to overlook the largest strides. Music is likewise an increasingly technical game, from creation to promotion to distribution. Which brings us to this weekend’s Blip Festival, the annual celebration of retro video games and one of New York’s geekiest music events.

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On Blip Festival’s hard-on for hardware

Thursday, May 19th, 2011

nes-guitar

Well, here I am writing about chiptune music again, which must mean it’s time for the Blip Festival, NYC’s annual video game music bonanza. This time I previewed the lineup with a roundup of the specific game systems and the artists that use them.

Nanoloop 2 for the Game Boy Micro somehow packs unbelievably sophisticated filters and oscillators for subtractive synthesis into a gorgeous minimalist greyscale grid, which makes for one of the most soothing and meditative music composition spaces I’ve yet seen on any platform, bigger dogs like Pro Tools very much included. Nanoloop might actually be the best way for non-chiptune musicians to dip their toes into this world–you can’t very well duct-tape a proper keyboard to your acoustic guitar, now can you?
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