PopMatters binge, part one: Bill Callahan.

“Woke on a Whaleheart” was the first record he released under his own name, and, ironically enough, his return with a larger ensemble came only after dropping the band name. The logical inversion, of course, is that it can be a bit harder to see the man beneath the songs at times, but they’re still put to good use—Callahan’s songs are fattened up as much by the violin and bass as by the drum fills and counterpoint. “Cold Blooded Old Times”, in particular, is driven by biting octave dyads on a violin which, given its aggression, might as well be a distorted guitar. Eighth notes aren’t swung, they’re bludgeoned.
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